ⵏⴰⴱⵉⵍ ⵄⵢⵢⵓⵛ
ⵏⴰⴱⵉⵍ ⵄⵢⵢⵓⵛ  | |
|---|---|
 | |
| ⵓⵎⵍⴰⵏ ⵓⴷⵎⴰⵡⴰⵏⵏ | |
| ⵉⵙⵎ ⵓⴷⵎⴰⵡⴰⵏ | Nabil  |
| ⴰⴷⵖⴰⵔ ⵏ ⵜⵍⴰⵍⵉⵜ | ⴱⴰⵔⵉⵣ |
| ⴰⵙⴰⴽⵓⴷ ⵏ ⵜⵍⴰⵍⵉⵜ | 1 ⵉⴱⵔⵉⵔ 1969, 1 ⵉⵏⵏⴰⵢⵔ 1969 |
| ⵜⴰⵖⵍⴰⵏⵜ ⴷ ⵜⵣⴷⵓⵖⵜ | |
| ⵜⴰⵖⵍⴰⵏⵜ | ⵍⵎⵖⵔⵉⴱ, ⴼⵕⴰⵏⵚⴰ |
| ⵜⴰⵎⵓⵔⵉ | ⵍⵎⵖⵔⵉⴱ, ⴼⵕⴰⵏⵚⴰ |
| ⵜⵓⴷⵔⵜ ⵜⴰⵣⵣⵓⵍⵜ | |
| ⵉⴳⵔ ⵏ ⵜⵡⵓⵔⵉ | film direction, film screenwriting, film production |
| ⵜⴰⵣⵣⵓⵍⵜ | film director, screenwriter, film producer, ⴰⵎⴰⵔⴰ, director, assistant director, television director, film screenwriter |
| ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ ⵓⵏⵏⵓⵛⵛⴳ | 1992 |
| ⵜⵉⵡⵓⵔⵉⵡⵉⵏ ⵉⵜⵜⵢⴰⵡⵙⵙⴰⵏⵏ | Horses of God, Much Loved |
| ⵜⴰⵡⵊⴰ | |
| ⴰⵔⴳⴰⵣ/ⵜⴰⵎⵟⵟⵓⴹⵜ | Maryam Touzani |
| ⴱⴰⴱⴰⵙ | Noureddine Ayouch |
| ⵉⵎⴰⵔⴰⵡⵏ | Noureddine Ayouch |
| ⴰⵙⵍⵎⴷ | |
| ⵜⵓⵜⵍⴰⵢⵉⵏ ⵢⴰⴹⵏⵉⵏ | ⵜⵓⵜⵍⴰⵢⵜ ⵜⴰⴼⵕⴰⵏⵚⵉⵚⵜ, ⵜⵓⵜⵍⴰⵢⵜ ⵜⴰⵄⵕⴰⴱⵜ |
| ⵜⵉⵙⵎⵖⵓⵔⵉⵏ | |
| ⵜⵉⵙⵎⵖⵓⵔⵉⵏ | Stallion of Yennenga, Chevalier des Arts et des Lettres |
ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ - ⵙⵏⴼⵍ - ⵡⵉⴽⵉⴷⴰⵜⴰ  | |
ⵏⴰⴱⵉⵍ ⵄⵢⵢⵓⵛ (ⵙ ⵜⴼⵕⴰⵏⵚⵉⵚⵜ: Nabil Ayouch) (ⵉⵍⵓⵍ ⴳ 1 ⵉⴱⵔⵉⵔ 1969) ⵉⴳⴰ ⵢⴰⵏ ⵓⵎⵙⵙⵓⴼⵖ ⵏ ⵉⴼⵉⵍⵎⵏ ⴷ ⵓⵎⴰⵔⴰ ⵏ ⵉⵙⵉⵏⴰⵔⵢⵓⵜⵏ ⴰⴼⵕⴰⵏⵚⴰⵡⵉ ⵙ ⵉⵥⵓⵕⴰⵏ ⵉⵎⵖⵔⵉⴱⵉⵢⵏ ⵉⵎⴰⵣⵉⵖⵏ, ⴷ ⵉⴳ ⵓⵍⴰ ⵓⵎⵙⵢⴰⴼⵓ ⵏ ⵉⴼⵉⵍⵎ.ⴷ ⵢⴰⵏ ⵙⴳ ⵉⵎⵙⵙⵓⴼⵏ ⵏⵏⴰ ⴱⵀⵔⴰ ⵉⵜⵜⵢⵓⵙⵙⴰⵏⵏ ⴳ ⵍⵎⵖⵔⵉⴱ ⴷ ⵓⵎⴹⴰⵍ ⵏ ⵓⵙⵓⴼⵖ .[1]
ⵉⵍⵓⵍ ⵄⵢⵢⵓⵛ ⴳ ⴱⴰⵔⵉⵣ, ⴷ ⴱⴰⴱⴰⵙ ⵏⵓⵕⴷⴷⵉⵏ ⵄⴰⵢⵢⵓⵛ ⵉⴳⴰ ⴰⵎⵖⵔⵉⴱⵉ, ⴷ ⵉⵏⵏⴰⵙ ⵜⴳⴰ ⵜⵓⴷⴰⵢⵜ ⵙⴳ ⴼⵕⴰⵏⵚⴰ ⵙ ⵉⵥⵓⵕⴰⵏ ⵉⵜⵓⵏⵙⵉⵢⵏ . ⴷ ⵉⵣⵣⵔⵉ ⴰⵣⵏ ⵏ ⵜⵎⵥⵉ ⵏⵏⵙ ⴳ ⵜⵙⴳⴰ ⵏ ⵙⴰⵔⵙⵉⵍ ⵜⴰⴱⴰⵔⵉⵣⵉⵜ. ⴹⴰⵕⵜ ⵏ ⴽⵕⴰⴹ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵏ ⵜⵖⵓⵔⵉ ⵏ ⵜⵥⵓⵕⵉ ⵜⴰⵎⵣⴳⵓⵏⵜ (1987-1990), ⵉⵙⵙⵏⵜⵉ ⴰⴱⵔⵉⴷ ⵏⵏⵙ ⴰⵎ ⵓⵎⴰⵔⴰ ⵏ ⵉⵙⵉⵏⴰⵔⵢⵓⵜⵏ ⴷ ⵓⵎⵙⵙⵓⴼⵖ ⵖⵓⵔ ⵜⵙⵏⵓⵔⴰⵢⵜ ⵏ ⵉⵙⵎⴰⵍⵏ "ⵀⴰⴼⴰⵙ ⵜⴰⵎⴰⴹⵍⴰⵏⵜ" ⴰⵎⵎ ⵓⵎⴰⵔⴰ ⵏ ⵉⵙⵉⵏⴰⵔⵢⵓⵜⵏ ⴷ ⵓⵎⴰⵡⴰⵙ ⵏ ⵓⵎⵙⵙⵓⴼⵖ, ⴷ ⵉⵙⵙⵓⴼⵖ ⴷ ⴽⵉⴳⴰⵏ ⵏ ⵉⴼⵉⵍⵎⵏ ⵉⵙⵓⵙⵙⵏⵏ ⴷ ⵉⴼⵉⵍⵎⵏ ⵉⴳⵣⵣⵓⵍⵏ ⵍⵍⵉ ⵢⵓⵎⵥⵏ ⵜⵉⵙⵎⵖⵓⵔⵉⵏ ⵜⵉⵅⴰⵜⴰⵔⵉⵏ. ⵉⵙⵙⵓⴼⵖ ⴷ ⴰⴼⵉⵍⵎ ⵏⵏⵙ ⴰⵖⵣⵣⴰⴼ ⴰⵎⵣⵡⴰⵔⵓ "ⵎⴽⵜⵓⴱ" ⵍⵍⵉ ⴰⵙ ⴱⴰⵀⵔⴰ ⵉⵎⵓⵔⵙⵏ ⵜⵉⵣⵉ ⴰⵏⵏ, ⴷ ⴰⵡⴷ ⴰⴼⵉⵍⵎ ⵏⵏⵙ ⵄⵍⵉ ⵣⴰⵡⴰ ⵢⵉⵡⵉ ⵓⴳⴳⴰⵔ ⵏ 40 ⵏ ⵜⵙⵎⵖⵓⵔⵉⵏ ⴳ ⴽⵉⴳⴰⵏ ⵏ ⵉⵏⵎⵓⴳⴳⴰⵔⵏ.
ⵜⴰⵡⴰⴷⴰ ⵏⵏⵙ ⵜⴰⵥⵓⵕⴰⵏⵜ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]ⴳ ⵜⵣⵡⵉⵔⵉ ⵏⵏⵙ, ⵉⵙⵡⵓⵔⵉ ⵄⵢⵢⵓⵛ ⴰⵎ ⵓⵎⴰⵡⴰⵙ ⵏ ⵓⵎⵙⵙⵓⴼⵖ, ⴷ ⵉⵙⵙⵓⴼⵖ ⴷ ⵜⵓⴳⴷⵜ ⵏ ⵉⵙⵎⴰⵍⵏ ⵉⵙⵓⵙⵙⵏⵏ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1992. ⴹⴰⵕⵜ ⵏ ⵓⵢⴰ, ⵉⵙⵙⵓⴼⵖ ⴷ ⵄⵢⵢⵓⵛ ⴽⵕⴰⴹ ⵉⴼⵉⵍⵎ ⵉⴳⵣⵣⵓⵍⵏ: "ⴰⵎⵣⵣⵏⵣ ⵏ ⵓⵙⵖⴷⵉ" ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1995, ⴷ "ⵉⵎⵢⴰⵡⴰⴹⵏ ⵏ ⵡⴰⴹⵓ/ⵉⵣⵡⵓⵡⵉⵢⵏ" ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1993, ⴷ ⵓⵎⵥⵏ ⵙⵉⵏ ⵉⴼⵉⵍⵎⵏ ⴰⴷ ⵏⵏⵙ ⵜⵓⴳⵜⵜ ⵏ ⵜⵙⵎⵖⵓⵔⵉⵏ, ⴷ ⵉⵙⵙⵓⴼⵖ ⵓⵍⴰ ⴰⴼⵉⵍⵎ ⵏ "ⵉⵥⵕⴰⵏ ⵉⵏⵉⵍⵉⵢⵏ ⵏ ⵜⵏⵣⵔⵓⴼⵜ " ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1992 ⴰⴽⴷ ⵓⵎⵙⴹⵚⴰⵢ ⵊⴰⵎⴰⵍ ⴷⴱⴱⵓⵣ. ⵉⵙⵙⵓⴼⵖ ⴷ ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 1997 ⴰⴼⵉⵍⵎ ⵏⵏⵙ ⴰⵖⵣⵣⴰⴼ ⴰⵎⵣⵡⴰⵔⵓ "ⴰⵟⵍⴰⵍ", ⵉⵍⵎⵎⴰ ⴰⴼⵉⵍⵎ ⵏ "ⵎⴽⵜⵓⴱ" ⵍⵍⵉ ⴱⴰⵀⵔⴰ ⵉⵎⵓⵔⵙⵏ ⴷ ⵍⵍⵉ ⵉⵜⵜⵢⵓⵙⵙⴰⵏⵏ ⴳ ⵍⵎⵖⵔⵉⴱ ⴰⴽⵓⴷⴰⵏⵏ, ⴰⵢⵍⵍⵉ ⵜ ⵢⵓⵊⵊⴰⵏ ⴰⴷ ⵉⴳ ⴰⵎⵏⴽⴰⴷ ⵏ ⵜⵙⵎⵖⵓⵔⵉⵏ ⵏ ⵓⵙⴽⴰⵔ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 1998. ⵉⵙⵙⵔⵙⵍ ⵏⴰⴱⵉⵍ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2003 ⵜⴰⴳⵓⵣⵓⵍⵜ/ⴰⵎⵓⵍⵍⵉ ⴰⵎⵖⵔⵉⴱⵉ ⵏ ⵓⵎⵢⴰⵏⴰⵡ ⴰⴷⵍⵙⴰⵏ ⵙ ⵡⴰⵏⵏⴰⵍ ⵏ ⵜⵎⵓⵏⵜ ⵜⵓⵕⵓⴱⴱⵉⵜ, ⴷ ⵉⵙⴽⵔ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2005 ⵜⴰⵎⵙⵙⵓⵔⵜ "ⵜⴰⵎⴳⵓⵔⵉ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⴳ ⵍⵎⵖⵔⵉⴱ" ⵉ ⵓⴼⴰⵔⵙ ⵏ 30 ⵏ ⵉⴼⵉⵍⵎⵏ ⵏ ⵡⵓⵏⴳⴰⵍⵏ ⵉⵖⵣⵣⵉⴼⵏ, ⴷ ⵉⵙⵙⵏⵜⵉ ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 2009 ⴰⵙⵏⴼⴰⵔ "ⵜⵉⵡⵍⴰⴼⵉⵏ ⵉ ⵎⴰⵕⵕⴰ".[2]
ⵜⵉⵙⵎⵖⵓⵔⵉⵏ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]- ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⵍⵓⵎⵢⵉⵔ ⵏ ⵓⴼⵉⵍⵎ ⴰⴼⵕⴰⵏⴽⵓⴼⵓⵏⵉ ⴰⵎⵓⴼⴰⵢ, ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2014.
- ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⵓⵎⵙⵙⵓⴼⵖ ⴰⵎⵓⴼⴰⵢ ⵏ ⵓⴼⵉⵍⵎ ⴰⵖⵣⵣⴰⴼ ⴰⵙⵔⵖⵉⵏ ⴳ ⵜⵙⵓⵜⵍⵜ ⵜⵉⵙ ⴽⴽⵓⵥⵜ ⵏ ⵓⵏⵎⵓⴳⴳⴰⵔ ⵏ ⴷⴷⴰⵡⵃⴰ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⴳ ⵓⵙⴳⴳⵯⴰⵙ ⵏ 2014.
- ⵜⴰⵙⵎⵖⵓⵔⵜ ⵜⴰⵅⴰⵜⴰⵔⵜ ⵏ ⵜⵙⵓⵜⵍⵜ ⵜⵉⵙ 57 ⵏ ⵉⵎⴰⵍⴰⵙⵙ ⴰⴳⵔⴰⵖⵍⴰⵏ ⵏ ⵙⵙⵉⵏⵉⵎⴰ ⴳ ⴱⴰⵍⴰⴷⵓⵍⵉⴷ/ⵓⵡⴰⵏⴽ ⵏ ⵍⵡⴰⵍⵉⴷ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2012.
- ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ ⵓⵙⵏⴼⵍⵓⵍ ⴰⵥⵓⵕⴰⵏ ⴳ ⵓⵏⵎⵓⴳⴳⴰⵔ ⵏ ⵍⵉⵙⴽⴰⵏⴷⴰⵔⵢⴰ ⴰⴳⵔⴰⵖⵍⴰⵏ ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2013.
- ⵜⴰⵙⵎⵖⵓⵔⵜ ⵏ "ⴼⵕⴰⵏⵙⵡⴰ-ⵛⴰⵍⵉ" ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2012.
ⴰⵃⵓⴽⴽⵓ ⵏ ⵡⴰⵡⴰⵍ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]ⵉⵜⵜⵢⵓⵙⵙⴰⵏ ⵏⴰⴱⵉⵍ ⵄⵢⵢⵓⵛ ⵙ ⵎⴰⵙ ⴰⵔ ⵉⵙⴰⵡⴰⵍ ⵖⴼ ⵉⵙⵏⵜⴰⵍ ⵉⵎⵃⵓⵍⴼⴰⵏⵏ ⴳ ⵡⴰⵎⵓⵏ ⵣⵓⵏ ⴷ ⵜⴰⵡⵙⵉⵜⴷ ⵓⵙⴳⴷ ⴷ ⵜⴰⵥⵕⴰⵙⵔⴽⵎⵜ(La Srafication sociale). ⵙⵙⵏⴽⵔⵏⵜ ⴽⵔⴰ ⵏ ⵜⵡⵓⵔⵉⵡⵉⵏ ⵏⵏⵙ ⵢⴰⵏ ⵓⴷⵉⴷⴰ ⴳ ⵡⴰⵎⵓⵏ, ⴰⵅⴰⵜⴰⵔ ⵙⴳⵉⵙⵏ ⴰⴼⵉⵍⵎ ⵏ "ⵣⵣⵉⵏ ⵍⵍⵉ ⴼⵉⴽ/ⵣⵣⵉⵏ ⵍⵍⵉ ⴳⵉⵎ ⵉⵍⵍⴰⵏ" ⴰⵙⴳⴳⵯⴰⵙ ⵏ 2015 ⵙ ⵜⵉⵍⴰⵍⵜ ⵜⴰⵎⵇⵇⵔⴰⵏⵜ ⵏ ⵍⵓⴱⵏⴰ ⴰⴱⵉⴹⴰⵕ ⵖⴼ ⵜⵉⵙⴼⵍⵖⵜ ⴳ ⵍⵎⵖⵔⵉⴱ, ⵍⵍⵉ ⵉⵙⴽⵔⵏ ⵢⴰⵏ ⵓⵎⴹⴰⴽⴰⵕ ⴰⵅⴰⵜⴰⵔ ⴳ ⵡⴰⵎⵓⵏ ⴰⵎⵖⵔⵉⴱⵉ, ⴷ ⵉⵜⵜⵓⴳⴷⵍ ⵓⵙⴼⵙⵔ ⵏⵏⵙ ⵙⴳ ⴷⴰⵔ ⵜⵎⴰⵡⴰⵙⵜ ⵏ ⵓⵎⵢⴰⵡⴰⴹ ⵜⴰⵎⵖⵔⵉⴱⵉⵜ.[3]
ⵜⵉⵡⵓⵔⵉⵡⵉⵏ ⵏⵏⵙ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]- 1997: "ⴰⵟⵍⴰⵍ".
- 1997: "ⵎⴽⵜⵓⴱ".
- 2000: ⵄⵍⵉ ⵣⴰⵡⴰ. [4]
- 2003: ⵜⵓⵔⵣⴰ ⵏ ⵜⵉⵍⵍⴰⵙ.
- 2007: "ⵍⴽⵕⴰⴱ".
- 2008: ⵏⵜⵜⴰⵜ.
- 2010: ⵢⴰⴽ ⵏⴳⴰ ⵉⵏⵓⵔⴰⴳ .
- 2010: ⴰⵎⴰⵏ ⵏ ⵎⴰⵔⵓⵔ.
- 2011: ⵉⵏⵓⵔⴰⴳ ⴱⴷⴷⴰ .
- 2012: ⴽⵓⵍⵍⵓ ⴰⵏⵖ ⵏⴳⴰ ⵉⵏⵓⵔⴰⴳ .
- 2012: ⵡⴰ ⴰⵢⵢⵉⵙ ⵏ ⵕⴱⴱⵉ .
- 2012: ⴰⴽⴰⵍ ⵉⵏⵓ (ⴰⴼⵉⵍⵎ ⵓⵜⵉⵎ) .
- 2013: ⵏⵜⵜⵏⵉ ⴰⵢⴷ ⵉⴳⴰⵏ ⵉⵢⴷⴰⵏ .
- 2015: ⴰⵢⴰ ⴷ ⵢⵉⵍⵍ .
- 2015: ⵣⵣⵉⵏ ⵍⵍⵉ ⴳⵉⵎ ⵉⵍⵍⴰⵏ.
- 2017: "ⵖⵣⵉⵢⴰ" .
- 2019: ⴰⴷⴰⵎ .
- 2021: ⵙⵙⵍⴽⵎ ⵉⵎⵙⵍⵉ ⵏⵏⵙ .
- ⵉⵙⴽⵔ ⴰⴼⴰⵔⵙ ⵏ ⵢⴰⵏ ⵓⴼⵉⵍⵎ ⴰⵎⴰⵣⵉⵖ ⵡⵉⵏ ⴳⴰⵔ ⴰⴼⵇⵇⵉⵔ .
- 2022: ⴰⴱⵔⵓⵖ ⴰⵏⵉⵍⵉ.
- 2024: ⴳ ⵜⴰⵢⵔⵉ ⵏ ⵜⵓⴷⴰ.
