ⵄⵓⵎⴰⵕ ⵍⵓⵟⴼⵉ
ⵄⵓⵎⴰⵕ ⵍⵓⵟⴼⵉ  | |
|---|---|
| ⵓⵎⵍⴰⵏ ⵓⴷⵎⴰⵡⴰⵏⵏ | |
| ⵉⵙⵎ ⵓⴷⵎⴰⵡⴰⵏ | Omar  |
| ⴰⴷⵖⴰⵔ ⵏ ⵜⵍⴰⵍⵉⵜ | ⵜⴰⵎⴷⵉⵏⵜ ⵏ ⴰⵏⴼⴰ |
| ⴰⵙⴰⴽⵓⴷ ⵏ ⵜⵍⴰⵍⵉⵜ | 8 ⵏⵓⵡⴰⵏⴱⵉⵔ 1983 |
| ⵜⴰⵖⵍⴰⵏⵜ ⴷ ⵜⵣⴷⵓⵖⵜ | |
| ⵜⴰⵖⵍⴰⵏⵜ | ⵍⵎⵖⵔⵉⴱ |
| ⵜⴰⵎⵓⵔⵉ | ⵍⵎⵖⵔⵉⴱ |
| ⵜⵓⴷⵔⵜ ⵜⴰⵣⵣⵓⵍⵜ | |
| ⵜⴰⵣⵣⵓⵍⵜ | ⴰⵙⵎⴷⴰⵢ, film director |
| ⵜⴰⵡⵊⴰ | |
| ⴰⵔⴳⴰⵣ/ⵜⴰⵎⵟⵟⵓⴹⵜ | Farah El Fassi |
| ⴰⵙⵍⵎⴷ | |
| ⵜⵓⵜⵍⴰⵢⵉⵏ ⵢⴰⴹⵏⵉⵏ | ⵜⵓⵜⵍⴰⵢⵜ ⵜⴰⵄⵕⴰⴱⵜ |
ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ - ⵙⵏⴼⵍ - ⵡⵉⴽⵉⴷⴰⵜⴰ  | |
ⵄⵓⵎⴰⵕ ⵍⵓⵟⴼⵉ (ⵉⵍⵓⵍ ⴰⵙⵙ ⵏ 8 ⵏⵓⵡⴰⵏⴱⵉⵔ 1983) ⵉⴳⴰ ⵢⴰⵏ ⵓⵙⵎⴷⴰⵢ ⴰⵎⵖⵔⵉⴱⵉ ⴰⵎⴰⵣⵉⵖ, ⵉⴷⵔⴰ ⴳ ⴽⵉⴳⴰⵏ ⵏ ⵜⵡⵓⵔⵉⵡⵉⵏ ⵜⵉⵙⵉⵏⵉⵎⴰⵜⵉⵏ ⴷ ⵜⵉⵜⵍⴼⴰⵣⵉⵏ, ⵉⵜⵜⵢⴰⵡⵙⵙⴰⵏ ⵙ ⵜⵉⵍⴰⵍⵜ ⵏⵏⵙ ⴳ ⵓⴼⵉⵍⵎ ⵏ ⴽⴰⵥⴰ ⵏⵉⴳⵔⴰ. ⴷ ⵜⵓⵜⵍⴰⵢⵜ ⵏⵏⵙ ⵜⴰⵢⵎⵎⴰⵜ ⵜⴳⴰ ⵜⵜ ⵜⵎⴰⵣⵉⵖⵜ .[1]
ⵜⵓⴷⵔⵜ ⵏⵏⵙ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]ⵉⵍⵓⵍ ⵄⵓⵎⴰⵕ ⵍⵓⵟⴼⵉ ⴳ ⵓⵖⵔⵎ ⵏ ⴷⵔⴱ ⵚⵚⵍⵟⴰⵏ ⴳ ⵡⴰⵏⴼⴰ (ⵜⵉⴳⵎⵎⵉ ⵜⵓⵎⵍⵉⵍⵜ), ⵎⴰⵛⴰ ⵉⵥⵓⵕⴰⵏ ⵏ ⵜⵡⵊⴰ ⵏⵏⵙ ⴳⴰⵏ ⵙⴳ ⵜⵎⴰⵣⵉⵔⵜ ⵏ ⵡⵓⴳⴳⵓⴳ, ⴷ ⴳ ⴽⵓ ⴰⵏⴱⴷⵓ ⵉⵄⵣⵣⴰ ⴷⴰⵔⵙ ⴰⴷ ⵉⵜⵜⴷⴷⵓ ⵙ ⵜⴰⵎⵣⵉⵔⵜ ⵏⵏⵙ, ⴷ ⴰⵢⵜ ⵜⴳⵎⵎⵉ ⵏⵏⵙ ⴰⵔ ⴽⵓⵍⵍⵓ ⵙⴰⵡⴰⵍⵏ ⵜⴰⵎⴰⵣⵉⵖⵜ, ⴰⵢⴰⵏⵏ ⴰⴷ ⵜ ⵢⵓⴷⵊⴰⵏ ⴰⴷ ⵢⴰⵎⵥ ⴳ ⵜⵓⵜⵍⴰⵢⵜ ⵏⵏⵙ ⵜⴰⵢⵎⵎⴰⵜ. ⴹⴰⵕⵜ ⵎⴰⵢⴷ ⵢⵓⵎⵥ ⴰⵙⵍⴽⵉⵏ ⵏ ⵍⴱⴰⴽⴰⵍⵓⵕⵢⴰ ⴳ ⵜⴳⵎⵎⵉ ⵜⵓⵎⵍⵉⵍⵜ, ⴷ ⵉⵖⵔⴰ ⵜⴰⵥⵓⵕⵉ ⵏ ⵓⵙⵏⵡⵉ ⴳ ⵜⵉⵏⵎⵍ ⵜⴰⵙⵏⵙⴰⵏⵜ ⵢⵓⵎⵥ ⴰⵙⵙⵉⵍⵖ ⴳ ⵜⵥⵓⵕⵉ ⵜⴰⴹⵕⴰⵎⴰⵜⵉⵜ ⴳ ⵓⵙⵉⵏⴰⴳ ⵏ ⴽⵓⵏⵙⵔⴼⵜⵡⴰⵔ ⵜⴰⵙⵓⴽⵜ ⵏ ⴱⴰⵔⵉⵣ ⴳ ⵡⴰⵏⴼⴰ ⵜⵉⵣⵉ ⵏ ⵚⴹⵉⵚ ⵉⵙⴳⴳⵯⴰⵙⵏ,ⴷ ⵉⴽⴽⴰ ⵜ ⵉⵏⵏ ⴱⴰⴱⴰⵙ ⵓⵔ ⴰⴷ ⵜ ⵉⵜⵜⴰⴷⵊⴰ ⴰⴷ ⵉⵙⴽⵔ ⴰⵎⵣⴳⵓⵏ, ⵉⵎⵉⵍ ⵣⵔⵉⵏ ⵉⵙⴳⴳⵯⴰⵙⵏ ⵉⵙⵡⵓⵔⵉ ⵙⵓⵔ ⵄⵓⵎⴰⵕ ⴳ ⵡⴰⵎⵎⴰⵙ ⴰⵎⵣⴳⵓⵏ ⴷ ⵓⵎⵙⵎⵓⵏ ⴳ ⵜⵖⵔⵎⵜ ⴰⴷ ⵏⵉⵜ .
ⵙⴳ ⵜⵉⵣⵡⵉⵔⵉ ⵏ ⵜⵊⵕⵎⴰ ⵜⵉⵙ 21, ⵉⵙⵙⵏⵜⵉ ⵜⴰⵡⴰⴷⴰ ⵏⵏⵙ ⴳ ⵙⵙⵉⵏⵉⵎⴰ ⴳ ⵓⴼⵉⵍⵎ ⵏ "ⵡⴰⵛ ⵄⵇⵍⵜⵉ ⵄⵍⴰ ⵄⴰⴷⵉⵍ/ⵉⵙ ⵜⴽⵜⵉⴷ ⴼ ⵄⴰⴷⵉⵍ?" ⵏ ⵎⵓⵃⵎⵎⴰⴷ ⵣⵉⵏ ⴷⴷⵉⵏ, ⴷ ⵓⵙⴰⵔⵓ "ⴽⴰⵥⴰ ⵏⵉⴳⵔⴰ" ⵏ ⵏⵓⵕⴷⴷⵉⵏ ⵍⵅⵓⵎⵎⴰⵔⵉ,ⵍⵍⵉ ⵉⴳⴰⵏ ⵙⵏⴰⵜ ⵜⵉⵍⴰⵍⵉⵏ ⵜⵉⵎⵇⵇⵔⴰⵏⵉⵏ ⵍⵍⵉ ⴼ ⵢⵓⵎⵥ ⵜⵓⴳⴷⵜ ⵏ ⵜⵙⵎⵖⵓⵔⵉⵏ ⴳ ⴽⵉⴳⴰⵏ ⵏ ⵉⵏⵎⵓⴳⴳⴰⵔⵏ, ⵙⵍⴰⵡⴰⵏ ⴰⴽⴽⵯ ⴳ ⵉⵏⵎⵓⴳⴳⴰⵔⵏ ⵏ ⵟⴰⵏⵊⴰ,ⴷ ⴷⵓⴱⴰⵢ ⴷ ⴱⵔⵓⴽⵙⵉⵍ. ⴹⴰⵕⵜ ⵏ ⵎⴰⵢⴷ ⵉⴳⴰ ⴰⵙⵎⴷⴰⵢ ⵉⵅⴰⵜⵔⵏ ⴷ ⵉⵜⵜⵢⵓⵙⵙⴰⵏⵏ, ⵉⴷⵔⵓ ⵏⵉⵜ ⵍⵓⵟⴼⵉ ⴳ ⵜⵓⴳⴷⵜ ⵏ ⵜⵡⵓⵔⵉⵡⵉⵏ ⵣⵓⵏ ⴷ "ⵍⵊⵏⵏ/ⴰⵎⴷⵓⵏ " (Djinns) ⵏ ⵀⵓⴳ ⴷ ⵙⴰⴷⵔⴰ ⵎⴰⵔⵜⵉⵏ "Hugues ⴷ Sandra Martin", ⴷ "ⵜⵓⴱⴰⵢⵜ ⵏ ⵔⵔⵉⴼ" (L'Amante du Rif) ⵏ ⵏⴰⵕⵊⵉⵙ ⵏⵏⵊⵊⴰⵕ, ⴷ "ⴰⵖⴱⴰⵍⵓ ⵏ ⵜⵎⵖⴰⵔⵉⵏ" (La Source des femmes) ⵏ ⵕⴰⴷⵓ ⵎⵉⵀⴰⵢⵍⵉⵏⵓ Radu Mihaileanu , ⴷ "ⵙⴰⴳⴰ, ⵜⵓⵍⵍⵉⵙⵜ ⵏ ⵉⵔⴳⴰⵣⵏ ⵍⵍⵉ ⴷ ⵓⵔ ⵉⵜⵜⵓⵔⵔⵉⵏ ⴰⴽⴽⵯ " (SAGA) ⵏ ⵄⵓⵜⵎⴰⵏ ⵏⴰⵚⵉⵔⵉ, ⴷ "ⵜⴰⵄⵛⵓⵕⵜ/ⵜⴰⴱⴰⵢⵏⵓⵜ" (Achoura) ⵏ ⵟⴰⵍⴰⵍ ⵙⵙⵍⵀⴰⵎⵉ.
ⵉⴳ ⵄⵓⵎⵕ ⵍⵓⵟⴼⵉ ⴰⵡⴷ ⵢⴰⵏ ⵓⵙⵎⴷⴰⵢ ⵍⵍⵉ ⴱⴰⵀⵔⴰ ⵉⵜⵜⵢⵓⵙⵙⴰⵏⵏ ⴳ ⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏ ⵜⴰⵎⵖⵔⵉⴱⵉⵜ ⵙ ⵜⵉⵍⴰⵍⵉⵏ ⵏⵏⵙ ⴳ ⵉⵎⵙⴷⴷⵉⵜⵏ ⵣⵓⵏ ⴷ "ⵍⵇⴰⴹⵉⵢⴰ/ⵜⴰⵎⵙⴰⵔⵜ" ⵏ ⵏⵓⵕⴷⴷⵉⵏ ⵍⵅⵓⵎⴰⵔⵉⴷ ⵣⵀⵕⴰ, ⴷ ⵉⵜⵀⴰⵍ ⵜⴰⵙⵎⴷⴰⵢⵜ ⴼⴰⵔⴰⵃ ⵍⴼⴰⵙⵉ ⴳ 2018 ⴷ ⵢⵓⵔⵓ ⴷⵉⴷⵙ ⵢⴰⵜ ⵜⴼⵔⵓⵅⵜ ⵍⵍⵉ ⵉⴳⴰⵏ ⵙ ⵢⵉⵙⵎ ⵎⴰⵊⴷⴰ . ⴷ ⵉⵙⴳⵎⴹ ⵄⵓⵎⴰⵕ ⵍⵓⵟⴼⵉ ⴷ ⵜⵙⵏⵓⵔⴰⵢⵜ ⵏ ⵉⵍⵖⴰ "Clubcities" ⴰⵎ ⵓⵏⵎⵀⴰⵍ ⴰⵏⴰⵥⵓⵕ. ⴷ ⴰⵡⴷ ⵄⵓⵎⴰⵕ ⴰⵔ ⴷⴰⵔⵙ ⵉⵜⵜⴰⴼ ⵓⵙⵎⴷⵢⴰ ⴰⵙⵓⴼⵖ .
ⵉⴳⵉⵜⵏ ⵏⵏⵙ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]ⵙⵙⵉⵏⵉⵎⴰ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]- 2007: ⵡⴰⵛ ⵄⵇⵍⵜⵉ ⵄⵍⴰ ⵄⴰⴷⵉⵍ?/ⵉⵙ ⵜⴽⵜⵉⴷ ⴼ ⵄⴰⴷⵉⵍ?.
- 2008: ⴽⴰⵥⴰ ⵏⵉⴳⵔⴰ.
- 2007: Women Without Men (ⵜⵉⵡⵜⵎⵉⵏ ⴱⵍⴰ ⵉⵔⴳⴰⵣⵏ) .
- 2010: ⵍⵊⵏⵏ/ⴰⵎⴷⵓⵏ .
- 2010: ⵓⵙⵙⴰⵏ ⵏ ⵓⵎⴰⵔⵓⵔ .
- 2010: ⵜⵓⴱⴰⵢⵜ ⵏ ⵔⵔⵉⴼ .
- 2011: ⵊⵏⴰⵃ ⵍⵀⵡⴰ/ ⵉⴼⵔⴰⵡⵏ( ⴰⴼⵔⵉⵡⵏ) ⵏ ⵡⴰⴹⵓ .
- 2011: ⵜⵉⵟⵟ ⵏ ⵜⵡⵜⵎⵉⵏ .
- 2011: ⵍⵎⵖⴹⵓⴱ ⵄⵍⵉⵀⵓⵎ
- 2011: ⴰⵣⵣⴰⵏ ⴰⵎⵖⴰⵔ
- 2012: ⵖⴰⴹⴰⴱ/ ⴰⵖⵊⵊⵉⵔ(ⴰⵙⵢⴰⵙ).
- 2012: ⴽⴰⵏ ⵢⴰ ⵎⴰ ⴽⴰⵏ .
- 2013: ⴰⵙⵙ ⴷ ⵢⵉⴹ .
- 2013: ⵙⴰⴳⴰ, ⵜⵓⵍⵍⵉⵙⵜ ⵏ ⵉⵔⴳⴰⵣⵏ ⵍⵍⵉ ⴷ ⵓⵔ ⵉⵜⵜⵓⵔⵔⵉⵏ ⴰⴽⴽⵯ .
- 2014: ⵄⵉⴷ ⵍⵎⵉⵍⴰⴷ/ ⴰⴽⵜⵜⴰⵢ (ⵜⴰⴼⵓⴳⵍⴰ) ⵏ ⵜⵍⴰⵍⵉⵜ .
- 2015: ⵄⴰⵛⵓⵔⴰ/ⵜⴰⴱⴰⵢⵏⵓⵜ .
- 2015: ⵉⵃⴱⴰⵟ .
- 2019: ⵜⵜⵓⴼⵔⵉ.
- 2024: ⵍⴱⴰⵟⴰⵍ/ⴰⵏⴱⵔⴰⵣ .
- 2025: ⴽⴰⵥⴰ ⴳⵉⵔⵔⴰ.[2]
ⵜⵉⵍⵉⴼⵉⵣⵢⵓⵏ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]- 2013: ⴱⵓⵖⴰⴱⴰ/ⴱⵓⵜⴰⴳⴰⵏⵜ .
- 2009: ⵍⴱⵉⴹⴰⵡⵉⵢⵢⵉⵏ
- 2011: ⵙⴰⵄⴰ ⴼ ⵊⵊⴰⵃⵉⵎ /ⵢⴰⵜ ⵜⵙⵔⴰⴳⵜ ⴳ ⵓⵔⵡⴰⵙⵙ.
- 2013: ⵟⵟⵕⵉⵇ/ⴰⴱⵔⵉⴷ .
- 2015: ⵃⵎⵉⵎⵓ
- 2016: ⴰⵃⵍⴰⵎ
- 2016: ⵍⴱⵙ ⵇⴷⴷⴽ/ⵍⵙ ⵜⵉⴳⵉⴷⴷⴰ ⵏⵏⴽ.
- 2016: 360 ⴷⴰⵔⴰⵊⴰ/360 ⵏ ⵜⴼⵙⵏⴰ .
- 2017: 12 ⵙⴰⵄⴰ/ⵏ ⵜⵙⵔⴰⴳⵜ
- 2018: ⵚⵕⵅⴰ ⵎⵏ ⵄⴰⵍⴰⵎ ⵅⵕ.
- 2018: ⵍⴽⵓⵎⴱⴰⵕⵚ .
- 2019: ⴹⴹⴰⵕ ⵍⵎⵛⵔⵓⴽⴰ/ ⵜⴰⴷⴷⴰⵔⵜ ⵉⵜⵜⵓⴷⵔⴰⵏ .
- 2024: ⵍⴱⴰⵟⴰⵍ/ⴰⵏⴱⵔⴰⵣ .
ⵉⵎⵙⴷⴷⵉⵜⵏ
[ⵙⵏⴼⵍ | ⵙⵏⴼⵍ ⴰⵙⴰⴳⵎ]- 2008: ⵍⵇⴰⴹⵉⵢⴰ/ ⵜⴰⵎⵙⴰⵔⵜ .
- 2008: ⵍⵎⵊⴷⵓⴱ .
- 2008: ⵙⴰⵄⴰ ⴼ ⵊⵊⴰⵀⵉⵎ/ⵢⴰⵜ ⵜⴰⵙⵔⴰⴳⵜ ⴳ ⵓⵔⵡⴰⵙⵙ.
- 2009: ⵍⵄⵙⵙⴰⵙ/ⴰⵏⴹⴰⴼ .
- 2009: ⵣⵓⵕⵣ .
- 2009: ⵃⵔⵔⴰⵣ ⴰⵢⵢⴰⵎⵉ .
- 2012: ⴰⵃⵍⴰⵎ ⵏⴰⵙⵉⵎ .
- 2014: ⵣⵉⵏ ⵍⴱⵢⴰⵕ.
- 2015: ⵎⵔⵃⴱⴰ ⴱⵚⵃⴰⴱⵉ/ⴰⵏⵙⵓⴼ ⵙ ⵉⵎⴷⴷⵓⴽⴽⵯⴰⵍ ⵉⵏⵓ (ⴰⴳⵣⵣⵓⵎ 1).
- 2016: ⵙⵉⵔⵔ ⵍⵎⵕⵊⴰⵏ (ⴰⴳⵣⵣⵓⵎ 1).
- 2016: ⵎⵔⵃⴱⴰ ⴱⵚⵃⴰⴱⵉ/ⴰⵏⵙⵓⴼ ⵙ ⵉⵎⴷⴷⵓⴽⴽⵯⴰⵍ ⵉⵏⵓ (ⴰⴳⵣⵣⵓⵎ 2)
- 2017: ⵙⵉⵔⵔ ⵍⵎⵕⵊⴰⵏ (ⴰⴳⵣⵣⵓⵎ 2).
- 2018: ⵄⵉⵏ ⵍⵃⵇ / ⵜⵉⵟⵟ ⵏ ⵜⵉⴷⵜ (ⵓⵣⵔⴼ) .
- 2019: ⵍⵎⴰⴹⵉ ⵍⴰ ⵢⴰⵎⵓⵜ/ⵜⵉⵣⴰⵔⵜ ⵓⵔ ⴷⴰ ⵜⴻⵜⵜⵎⵜⴰⵜ
- 2019: ⵇⵚⵕ ⵍⴱⴰⵛⴰ/ⵜⴰⴳⴰⴷⵉⵔⵜ ⵏ ⵍⴱⴰⵛⴰ .
- 2019: ⵡⵍⴰⴷ ⵍⵎⵓⵅⵜⴰⵔ/ⵜⴰⵔⵡⴰ ⵏ ⵍⵎⵅⵜⴰⵕ .
- 2020: ⵣⵀⵕ ⵍⴱⴰⵜⵓⵍ .
- 2020: ⵙⴰⵍⴰⵎⴰⵜ ⴰⴱⵓ ⵍⴱⴰⵏⴰⵜ/ⵙⴰⵍⴰⵎⴰⵜ ⵉⴱⴱⴰⵙ ⵏ ⵜⵔⴱⴰⵜⵉⵏ .
- 2021: ⴰⵃⵍⴰⵎ ⵙⵉⵜⵉ .
- 2021: ⵛⴰⵀⴷ ⵇⴱⵍ ⵍⵃⴰⴷⴼ/ⵥⵕ ⴷⴰⵜ ⴰⴷ ⵉⵜⵜⵓⴽⴽⴰⵙ .
- 2021: ⵙⴰⵍⴰⵎⴰⵜ ⴰⴱⵓ ⵍⴱⴰⵏⴰⵜ/ⵙⴰⵍⴰⵎⴰⵜ ⵉⴱⴱⴰⵙ ⵏ ⵜⵔⴱⴰⵜⵉⵏ - (ⴰⴳⵣⵣⵓⵎ ⵡⵉⵙ ⵙⵉⵏ).[3]
